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Since matins is not commonly prayed in the congregations
of the WV-WMD Synod, we'll begin by talking about the
responsory in vespers (evening prayer), and we'll focus on
Lenten vespers because it is more common than Advent
vespers. We will eventually add material related to the
employment of the responsory in Advent and at matins
(morning prayer).
Responsory for Lenten Vespers
Looking for a little something extra to enrich your
vespers service? Consider inserting the Lenten responsory
after the lesson(s).
What's a Responsory?
A responsory is a short sung (or spoken)
recitation of Scriptures. If you've prayed compline,
you've already used a responsory. Immediately after the
lesson(s) in compline, the ancient In manus tuas,
Domine ("Into your hands, O Lord") is chanted. You
can find it in the compline liturgies of both the Lutheran
Book of Worship (p.156) and the Evangelical
Lutheran Worship (p.323).

Historically known as a responsorium breve (short
responsory), this form allowed the cantor to lead the
congregation without the congregation needing printed
music—a very helpful thing when books were rare and not
all new members of even a monastic community could read.
The pattern of form is as follows:
- The cantor chants a short biblical text to a simple
tone.
- The congregation repeats the line exactly as the
cantor chanted it.
- The cantor chants another line.
- This is answered by the congregation with the closing
half of the first line.
- The cantor chants a doxology, the first half of the Gloria
Patri.
- The congregation chants the very first line in full.
Looking at the example of the Lenten responsory (at
right), we would find it fully lined out as follows (with
[L] indicating leader, [C] congregation):
[L] I said, Lord, be merciful to me.
[C] I said, Lord, be merciful to me.
[L] Heal me, for I have sinned against you.
[C] Be merciful to me.
[L] Glory to the Father, and to the Son, and to the
Holy Spirit.
[C] I said, Lord, be merciful to me.
This is the form employed in vespers and compline (though
the rendering in compline in both LBW and ELW
is slightly different). This form may also be used in
matins (assuming one does not want to try a responsorim
prolixum).
If you are looking at the image of the responsory (above
right), you'll see that some of the text is truncated.
This was a paper saving technique. The first few words of
a line that is being repeated are sufficient to inform the
singers. You'll also see the use of certain symbols. The
asterisk (*) indicates the division between the first half
and the second have of the response. This is
important because the second response by the congregation
will only be with the second half of the line. You will
also see two special symbols, the responsum or
response symbol (℟) and the versiculum or verse
symbol (℣). The versiculum indicates portions of
the chant that are sung only by the cantor(s). The responsum
indicates those portions of the chant that are sung by
the congregation (with the exception of the first line
that the cantor sings to introduce the responsory).

While the text of compline's In manus tuas, Domine
is invariable, the responsories for vespers change with
the seasons, for feast days and festivals, and even daily
in ordinary time (and Sunday is generally distinguished
from other days). Even within the greater Lenten cycle,
the responsory shifts from I said, Lord, be merciful
to me to We adore you, O Christ, and we bless
you, which is used from the first vespers of Palm
Sunday through Holy Week. At one time, this shift would
have taken place on the first vespers of Judica (the
fifth Sunday in Lent), but Passiontide ceased being
observed as a distinct week even in the Roman Catholic
Church in its 1969 revision of its calendar.
- Click here to download the
PNG image of the Lenten responsory I said, Lord, be
merciful to me.
- Click here
to download the PNG of the Holy Week responsory We
adore you, O Christ, and we bless you.
Our Current Rubics?
Following the rubrics for vespers in both the LBW and
the ELW, the place for the responsory is after the
lesson(s) but before the versicle (e.g., "In many and
various ways...") that precedes the Magnificat. The
same is true of the matins liturgy (though the rubric number
is 6).
To review, the LBW rubric in vespers states,
9. A response to the reading(s) may follow the
silence. After this the leader continues.
The general rubrics (notes on the liturgy) state,
9. ►Each reading is followed by silence. The
silence may be followed by a response—one of the seasonal
canticles (canticles 7-12) or a classic responsory, or any
other appropriate response (e.g., instrumental
piece, dance).
►"In many and various ways . . ." is
said after the final reading (and its silence and
response).
In the ELW, the rubric is as follows.
The reading of scriptures is followed by
silence for reflection. Other forms of reflection may also
follow, such as brief commentary, teaching, or personal
witness; non-biblical readings; interpretation through
music or other art forms; or guided conversation among
those present.
The reflection may conclude with a scriptural dialogue.
When it is sung, the following or a similar tone may be
used, the assembly echoing the leader.
Don't Confuse for the Versicle for the Responsory
In all Lutheran orders, there is immediately before the Magnificat
a versicle a short call and response. In the LBW,
it is
[L] In many and various ways God spoke to his
people of old by the prophets.
[C] But now in these last days he has spoken to us by his
Son.
The ELW has modified that language and added an
alternative. The versicle, as an element in the vespers
liturgy, is found very early in the development of vespers
and should not be replaced with the responsory or
otherwise neglected if there is any intent to preserve the
historic form.
Incorporating the Responsory in Your Bulletin
You can easily paste into your worship bulletin the graphic
images provided above or write out the text, counting on
your people to follow the cantor. If a congregation
regularly uses responsories, it may not be necessary to
print it out at all, the people simply following the
cantor's lead.
A Little More History and Reflection Upon the Rubrics
CAVEAT: What follows
under this section is for those who want to dig into
things.
The rubrics related to this point in the vespers service,
beginning with the LBW, mark a significant leap
in practice. If one traces liturgical practice to its
monastic roots, vespers was not a place for preaching,
instruction, musical performances (other than the actual
chants of the liturgy), dance, or any other artistic
exercise. Pfatteicher echoes this in his Commentary on
the Lutheran Book of Worship (1990):
The silence after each lesson is a constituent
part of this portion of the service and must not be
neglected. The office is not a traditional time for
preaching, and the silence is an opportunity for the
congregation to reflect upon the meaning of the words
which have just been proclaimed. The silence is another
way of preaching, another form of the proclamation of the
Word of God (p.363).
Despite Pfatteicher's encouragement to return to much
older practice, it must be recognized that vespers
(evening prayer) in American Lutheranism had included
preaching early on. Indeed, before it was commonly called
vespers, it was simply called the Evening
Service in the General Synod and General Council
lines of American Lutheranism. Evening services were
important in pre-twentieth-century American Lutheranism,
especially on the frontier, because pastors were often
conducting a service in one church in the morning, riding
several miles on horseback in the afternoon, and then
conducting a service in another church in the evening. The
evening service was often the only service that a
congregation might have during this time when pastors were
not in great supply. Obviously, preaching was an
indispensable part of the evening service under such
conditions. The Common Service (1888) introduced
an order of vespers that recovered much of the historic
form, a significant move away from the forms for the
evening service that barely looked like vespers. With
respect to the rubric related to the responsory, we find
this in both the Common Service Book (1917) and Service
Book and Hymnal (1958):
¶ After the Lesson a Responsory or a Hymn may be
sung.
¶ A Sermon or a brief Address may then follow.
¶ The Offering may then be received and placed upon the
Altar.
¶ Then shall be sung the hymn.
THE HYMN
¶ The Congregation shall rise and sing or say the
Canticle.
¶ A Versicle shall be used with the Canticle
The general rubrics in the CSB and SBH are
identical:
THE RESPONSORY.
The Responsory varies with the Season and may be sung by
the Choir after the last lesson.
We can see the sermon being made optional in the CSB—something
that would have been considered very strange in the
preceding generation. We also see the reintroduction of
the responsory, but note that it is held as an option with
a hymn being an alternative. Both the CSB and the
SBH include proper responsories for the entire
year along with the invitatories and antiphons.
Strangely, the LBW dropped the responsories
while retaining the invitatories and antiphons.
Pfatteicher makes reference to the responsories being
available in the Worship Supplement (1969), but
the LBW marked the de facto abandonment
of the responsory in that the actual texts were made
largely inaccessible. This was an unfortunate development
in that a liturgical element inviting the people to sing
the Scriptures appropriate to the season in a simple
musical form was effectively taken away. That said, the
marvels of technology make them accessible again (through
this webpage).
For those engaging in comparative liturgics, particularly
in reference to the Roman Catholic tradition, the
responsory might be a puzzler. The Liber Usualis
(1961) does not include a responsory with vespers, but
much earlier forms did (e.g., the second vespers of
the Nativity or Our Lord (c. A.D. 1250) as found in the Norton
Anthology of Western Music (1980) in which one will
find the beautiful Verbum caro factum est). Its
location within that order is after the psalms and
immediately before the hymn. Later reforms have restored
the responsory, but the hymn has been moved to the
beginning portion of the office. This reminds us that
Roman Catholic liturgy has been by no means been static
across the centuries.
The LBW rubric
9. ►Each reading is followed by silence. The silence
may be followed by a response—one of the seasonal
canticles (canticles 7-12) or a classic responsory, or
any other appropriate response (e.g.,
instrumental piece, dance),
is, to be blunt, simply bizarre. Beginning with the
introduction of the Common Service, American
Lutheran liturgics more and more tried to recover those
things that were part of the Reformation tradition. The
recovery of the traditional responsory was part of that
trend. That the LBW introduced and named
alternatives as far from the liturgical tradition as piece
and dance is not explained in the Manual on the Liturgy.
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